Can't Get Enough (1985)

In the background of a lot interest being shown in music groups, a group of young Indian men, calling themselves "Band of Boys", decide to perform publicly, to share their talents India-wide, as well as to make a career for themselves. They run into problems - it seems the public is only interested seeing a group of sexy young girls perform. This group must now compromise to include a young, sexy girl to be included in their band.

Comedian Bill Burr talks male feminists, outrage culture, robot sex, and cultural appropriation in this standup comedy special shot in London.

Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.

A story of three couples and their intertwining love stories set in 1940s Taiwan and Shanghai, centered around the 1949 sinking of Taiping.

“2048: Nowhere to Run” takes place one year before the events of Blade Runner 2049. The short film focuses on Sapper, a man who is trying to make it through life day-by-day without turning back to his old ways. We’re introduced to both the gentle nature of Sapper and the violence he’s capable of when set off.

Trapped in an empty building, nine people are forced to play a lethal game. All their movements will be recorded, and only one player can survive.

A burning Godzilla, on the verge of meltdown, emerges to lay siege to Hong Kong. At the same time horrifying new organisms are discovered in Japan. These crustacean-like beings are seemingly born of the Oxygen Destroyer, the weapon that killed the original Godzilla.

When a tough-as-nails reporter is lead to a mysterious cult and the evil Pinhead, any moment could be her last.

Poor Boyz Productions declares "War" with this ski world in a battle to produce the best ski film for the 2005 season.

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.