

User Score
6 votes
Being a politician is a tough job. Federal Councillor Alois Mumenthaler knows this too and makes his way through the sessions as a grumpy and old-fashioned representative of the species. He is pretty much against everything and launches a rigorous anti-drug campaign that turns out to be a flop. His party no longer wants him and his wife even less so. He has also been diagnosed with glaucoma. The man is slowly going blind. A visit to the doctor reveals that cannabis, of all things, has a healing effect and could fight the disease. But a federal councillor and cannabis don't mix. Nevertheless, it is the only way for Mumenthaler to avoid complete blindness and keep his hopes of an operation alive.
Director
Screenplay
Status
Released
Original Language
DE

A follow-up to Rob Stewart's documentary Sharkwater, this continues his journey of discovery to find out that what he thought was a shark problem is actually a people problem. As Stewart's battle to save sharks escalates, he uncovers grave dangers threatening not just sharks, but humanity. In an effort to uncover the truth and find the secret to saving our own species, Stewart embarks on a life-threatening adventure through 15 countries, over four years in the making. In the past four years the backdrop of ocean issues has changed completely. Saving sharks will be a pointless endeavor if we are losing everything else in the ocean, not just sharks. Burning fossil fuels is releasing carbon dioxide into the atmosphere; changing the oceans, changing atmospheric chemistry and altering our climate.

Schlatter
Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.