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The title is a phonetical arrangement in kanji Chinese characters of camp, a concept synonymous with Michio Okabe. Okabe radically explores his distinct, Japanese camp aesthetic in the enclosed space of the film world. As written in the kanji, “precious night, wealth of dreams” (貴い夜、夢の富), inhabitants of the night world such as butoh dancer, gay character, night watch, violinist, masseuse, yakitori shop, vampire, dog, and cat, appear one after another and unfold a disastrous but beautiful soirée.
Director
Status
Released
Original Language
JA

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

When a machine that allows therapists to enter their patient's dreams is stolen, all hell breaks loose. Only a young female therapist can stop it and recover it before damage is done: Paprika.