Cabiria (1914)

Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.

Don Diego Vega pretends to be an indolent fop as a cover for his true identity, the masked avenger Zorro. Preserved by the Academy Film Archive in 2012.

A disgruntled teenager, sent to do community service at a rundown Karate school, enters an MMA tournament to face the man who killed his parents.

Seamstress Mary dreams of a better life outside a sweatshop. Her dreams come true when she draws the attention of the bourgeois Victor. She soon tires of him, and thanks to her, his money is almost gone. When he suggests settling down outside the big city, where his money could be enough for a modest living, she leaves him and picks up a new lover. A year later, he is living in a shabby, cold hovel, still pining away for her.

During the latter years of the reign of the tyrannical Roman emperor Nero, Marcus Vinicius, one of Nero's officers, falls in love with a young Christian named Lygia, attempting to enslave her. Lygia's protector, the noble and burly Ursus, works to save her from Vinicius' clutches. Pursuing Lygia, Vinicius finds himself at a catacomb prayer meeting led by the apostle Peter and finds his conscience stirring-- just as Nero orders Rome burned. A landmark in epic film, Enrico Guazzoni’s grand-scale masterpiece laid the foundations for what colossal Italian spectacles would become. The film had tremendous influence on Giovanni Pastrone’s Cabiria (1914) and D.W. Griffith’s Intolerance (1916).

London. A mysterious serial killer brutally murders young blond women by stalking them in the night fog. One foggy, sinister night, a young man who claims his name is Jonathan Drew arrives at the guest house run by the Bunting family and rents a room.

Film director Blasetti is looking for a little girl for his new movie. Along with other mothers, Maddelena takes her daughter to Cinecittà, hoping she’ll be selected and become a star. She is ready to sacrifice anything for little Maria.

A young husband and father, perfectly content with his life, falls in love with another woman.

Suffering from acute kidney failure, Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave—the birthplace of his first life.

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.