Bulag 2. Towards a New Life (2021)

Shortly before the outbreak of WWI, a peasant from rural Russia arrives in St. Petersburg to find work.

On a summer day in late 19th century Russia, a group of bourgeois friends and acquaintances gather at a dilapidated country estate.

A young Kyrgyz immigrant tries to eke out a living in Moscow after abandoning her newborn and fleeing the hospital.

Russian provincial town in the middle of the 1930s Stalin's Great Purge. Ivan Lapshin, the head of the local police, does what he has to do. And he does it well.

1998, Nalchik. A Jewish family is in trouble: the youngest son and his bride do not come home, and in the morning, a ransom note arrives. The ransom is so high that the family is forced not only to sell its small business, but also to seek help from its fellow tribesmen.

Fate brings ordeals to characters that find themselves immersed in deep crisis; they must seek the strength to cope with adversity. In a remote and cold region of Russia, Galya, a middle-aged woman with a drinking problem, has been separated from her twin daughters and she wants them back. On the other hand, Grishka and Anton are a young couple who decide to get married, but right after the wedding their relationship is put to the test in a brutal way. Artyom longs to see his missing father, but his mother objects. There is only one element that brings all of these characters together: misfortune.

Georgy is driving a load of freight into Russia when, after an unpleasant encounter with the police at a border crossing, he finds himself giving a lift to a strange old man with disturbing stories about his younger days in the Army. After next picking up a young woman who works as a prostitute and is wary of the territory, Georgy finds himself lost, and despite asking some homeless men for help, he’s less sure than he was before of how to make his way back where he belongs. As brutal images of violence and alienation cross the screen, Georgy’s odyssey becomes darker and more desperate until it reaches an unexpected conclusion.

Based on the writer/director's childhood, FARMING tells the story of a young Nigerian boy, 'farmed out' by his parents to a white British family in the hope of a better future. Instead, he becomes the feared leader of a white skinhead gang.

An aging Tennessee farmer returns to his homestead and must confront a family betrayal, the reappearance of an old enemy, and the loss of his farm.

In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.