Brothers & Other Fantasies (1999)

Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.

Aoi Nishimori and Shūsei Kugayama are in love and they begin to live together secretly. Suddenly, Shūsei's cousin, Reon Kugayama, comes to them. Their secret is discovered by Reon. Now, Aoi, Shūsei, and Reon begin to live together.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Jerry mixes and drinks a high-acceleration potion which renders him so fast that he eats all of Tom's food before the bewildered cat can even see him.

Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.

Set in the Cold War era of the 1950's, Relations between the United States and Russia are tense. Senator Joseph McCarthy has many Americans convinced that the Communists have infiltrated society. Paranoia runs rampant, as decent Americans lose their jobs on suspicion alone. Floyd Woods served as one of the FBl's top Special Agents until he was accused of having Communist sympathies. Floyd lost his job despite lack of evidence to support these claims. He now works as a small time insurance investigator, who's flown into the small town of Sherrill, NY to investigate a life insurance claim, only to find himself distracted by the locals' odd behavior.

Tomek is a young doctor specialised in obstetrics sonography. He lives lost among the women around him. One night he is abruptly woken up by a dead call from his father. This seemingly unimportant event gradually gains significance.