Boys Life (1994)

After Italian capitulation in WW2, German forces are rushing to take control of the Dalmatian coast, forcing thousands of people to take refuge. One partisan boat, filled with refugees, tries to reach a safe area, but because of a storm it must stop near a small island. While the crew tries to repair it, a German gunboat comes from nearby.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

Aïcha, a high-school student, is a passionate kung fu fighter. Her Turkish parents expect her to get good grades so she can get into medical school, like her brother Ali. But school doesn´t inspire her. Defying her family, Aïcha starts secretly training at a professional, co-ed kung fu club. A boy, Emil, helps Aïcha train for the club championship and they fall in love. But the rules of life are not as simple as the rules of kung fu, and Aïcha is forced to decide who she is and what she wants.

A man babysits his girlfriends kid, and after a short while screams come from her room. Apparently she believes there's a monster under her bed.

A group of people inside an underground complex which possesses high tech computers which tracks world events consider all options as nuclear war is at hand, air supplies may last only eight days and Biblical prophesy unfolds.

Demobbed from the army Nat, Norman and Dan get new jobs, solve a crime and stage a concert party.

Rooftop is a 1-minute experimental short film that captures the final summer night of a young boy as he confronts the silence before his suicide. Set entirely on a rooftop, the film explores themes of isolation, emotional stillness, and the quiet unraveling of the human spirit. Through minimal dialogue and expressive visuals, Rooftop offers a poignant meditation on fleeting time and internal struggle. Starring Kamran Ahmad and directed by Hosh-e-Ruba (Kamran Ahmad) and Khwaabgari (Khizer Zaman), with story by Khwaabgari, the film is set to Max Richter’s haunting composition On the Nature of Daylight.

Local police are alerted to a notorious gangster's whereabouts, and they will not enter the apartment because it is haunted by Buppha Rahtree and a knife-wielding mini-Buppha.

A businessman charters a flight to Tibet to pick up a monk. On the way back, the plane is hijacked, and the monk ends up in a war zone where he has to convince the bandits to change their evil ways.

A short directed by Marcel Wohlfahrt.