Boxes of Death (1955)

Nick Randall is a Los Angeles-based bounty hunter and an ex-CIA operative who is asked by a former co-worker to help track down terrorist Malak Al Rahim. However, Malak Al Rahim is also looking for Randall, forcing a showdown on the waterfront.

A businessman, on his daily commute home, gets unwittingly caught up in a criminal conspiracy that threatens not only his life but the lives of those around him.

The government gets wind of a plot to destroy America involving a trio of nuclear weapons for which the whereabouts are unknown. It's up to a seasoned interrogator and an FBI agent to find out exactly where the nukes are.

A former Naval officer with a dark past must face off against an insurgent with a sound sensitive bomb.

A respectable village head decides to keep his son away from the violent politics of rural life. However, fate intervenes, forcing the young man to not only return home, but also take up the sickle.

A 12-year-old boy manages to flee a Communist concentration camp on his own, through sheer will and determination. All he has in his possession is a loaf of bread, a letter to deliver to someone in Denmark, and a compass to help get him there.

David Hare concludes his trilogy of films about MI5 renegade Johnny Worricker with another fugue on power, secrets and the British establishment. Johnny Worricker goes on the run with Margot Tyrell across Europe, and with the net closing in, the former MI5 man knows his only chance of resolving his problems is to return home and confront prime minister Alec Beasley.

On his way to work, a bank manager receives an anonymous call claiming there's a bomb under his car seat, and if anyone exits the car, it will explode unless he can pay a ransom.

After learning that the death of his wife was not an accident, a former CIA Station Chief is forced back into the espionage underworld, teaming up with an adversary to unravel a conspiracy that challenges everything he thought he knew.

The boredom of small town life is eating Bill Williamson alive. Feeling constrained and claustrophobic in the meaningless drudgery of everyday life and helpless against overwhelming global dissolution, Bill begins a descent into madness. His shockingly violent plan will shake the very foundations of society by painting the streets red with blood.