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in Blue for You I experimented with Dov Eylath on various video techniques including chroma-key, also known as blue screen, to illustrate the psychological tension between two people. Chroma-key utilises two cameras – the one camera omits one colour from its spectre, the other then fills it in. Blue is the best colour-key. “Anne Bean covers up her face with a blue paint. Because the one camera doesn’t pick up blue, her features disappear bit by bit as she applies the colour. ‘Through’ her we see Eylath’s face appear, becoming ever more dominant. The dialogue is a complete agreement with this struggle between two identities.”
Director
Director
Status
Released
Original Language
EN

Criminology student Chloe fakes her own death to break into a morgue, in order to retrieve a piece of evidence that ties her younger brother to a crime gone wrong. Once inside, she discovers that a sadistic coroner is using the corpses for his sick and twisted business, and when he realises that Chloe still has a pulse, a terrifying game of cat and mouse ensues.

After capturing the notorious drug lord Franz Sanchez, Bond's close friend and former CIA agent Felix Leiter is left for dead and his wife is murdered. Bond goes rogue and seeks vengeance on those responsible, as he infiltrates Sanchez's organization from the inside.