
User Score
1 votes
The main and only heroine of the film is an actress. The screen shows her confession, filmed with a subjective camera. Anna leaves her husband, then meets another person, who, according to the plot, is her interlocutor. He — and with him the audience — will have to hear the love story of Anna and her relationship with her husband; get in touch with the subtle and complex inner world of a woman trying to find spiritual harmony. We will not see Anna's interlocutor on the screen, the camera acts in his role...
Director
Writer
Status
Released
Original Language
RU

Alone in her empty flat, from her window Anne observes the people passing by who nervously snatch up the personal belongings and pieces of furniture she has put out on the pavement. Her final gesture of taking a ring off her finger signals she is leaving her previous life in Holland behind. She goes to Ireland, where she chooses to lead a solitary, wandering existence, striding through the austere landscapes of Connemara. During her travels, she discovers a house that is home to a hermit, Martin.

Georgy is driving a load of freight into Russia when, after an unpleasant encounter with the police at a border crossing, he finds himself giving a lift to a strange old man with disturbing stories about his younger days in the Army. After next picking up a young woman who works as a prostitute and is wary of the territory, Georgy finds himself lost, and despite asking some homeless men for help, he’s less sure than he was before of how to make his way back where he belongs. As brutal images of violence and alienation cross the screen, Georgy’s odyssey becomes darker and more desperate until it reaches an unexpected conclusion.