Blazing Stewardesses (1975)

Collection of the 4 classic holiday episodes, all digitally restored: 1) "A Chipmunk Christmas" (TV Short released in 1981); 2-3) "It's a Wonderful Life, Dave" (Season 6 | Episode 24 | 1988) and "Alvin's Christmas Carol" (Season 7 | Episode 13 | 1989) from the "Alvin & the Chipmunks" (TV Series 1983–1990); 4) "A Chipmunk Celebration" (TV Short released in 1994, theme for Thanksgiving Day).

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Friends battle former U.S. presidents when they come back from the dead as zombies on the Fourth of July.

In this thrilling sequel to The Jurassic Games, 10 death row inmates enter a deadly VR show to battle dinosaurs for a second chance at life. But when the system malfunctions, the carnage turns real. With a new host and higher stakes, survival is no longer just a game.

No overview available.

The film tells a story of an agent betrayed by his partner when transporting new psychic weapon. Believed to be dead, he escapes and takes new identity so he can live in peace far away. But later he is forced to return to Moscow to confront a secret organization, led by his former partner, that attempts to use the dangerous weapon in order to take control over the country. Now he is a key figure in the battle between forces of darkness and light.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

A prank that starts with a group of college students creating a fictitious person so they can get a credit card develops into a plot that leaves three of them dead.

Wicked girl uses nude modeling as a way to seduce a wealthy painter into marriage, while still trying to keep an artschool stud piece on the side.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.