Blackout (1950)

Jimmy is the kid everybody ignores and uses. One day, he gets into a freak accident. The only way for him to survive is a brain transplant. He gets the brain of Milt Appleday, a famous cartoon creator. And when he wakes up, he can see cartoons!

A plane containing a highly classified government project crashes outside of a small town in the US. Realizing the level of danger, the government tries to secretly fix the problem. As tensions grow, the situation gets out of control, and civilians from the town find themselves facing their worst nightmare: a genetically enhanced killing machine that doesn't know how to stop.

Divers go to work on a wrecked ship (the battleship Maine that was blown up in Havana harbour during the Spanish-American War), surrounded by curiously disproportionate fish.

At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.

Tomoe Enjou is attacked by bullies from his old school and saved by Shiki Ryougi. He asks her to hide him at her place and admits that he killed someone. Several days later, there are still no broadcasts about the murder as if it didn't happen... and when the victims are found, they're alive and unharmed.

This sequel to "Pandora's Box" continues director Jeffrey Lau's adaptation of the Buddhism saga "Journey to the West". Stranded five centuries in the past, Joker Monkey King must battle a variety of monsters, seductive women and super-powered villains to save the dying Pak Jing-Jing.

When K-pop superstars Rumi, Mira and Zoey aren't selling out stadiums, they're using their secret powers to protect their fans from supernatural threats.

This direct-to-draw animated film on 35 mm film features the imagery of 10 European directors in a collective project. Each produced 1 minute of animation on film, drawing directly onto it in his or her own style.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

When an overeager community officer and a reckless ex-detective are forced to team up, plenty of chaos ensues on the streets of Rotterdam.