

After seeing a mention of a man called ‘Daniel’ on a Bishop’s Transcript held in Gloucestershire Archives, Dan goes for a walk in the woods in search of the man buried in Nympsfield in 1719 and described on the Transcript as ‘a black stranger’. Whilst walking, Dan talks directly to Daniel, speculating about the parallels between him and his namesake, from potential walking routes to speeds and shoe sizes. As the film progresses, Dan opens up to Daniel about how he’s been made to feel like a ‘black stranger’ in his hometown of Stroud after his involvement in a council-led review of streets, buildings, statues and monuments garnered national media attention and right-wing backlash for asking people’s opinions on an object called the Black Boy Clock.
Director
Writer
Status
Released
Original Language
EN

A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.