Bingo Crosbyana (1936)

While Yeung Kam Wing is trying to remove all connections between the mob and him, his actions are being carefully observed by Lau Kin Ming, who bears a personal grudge against him.

A failed actor switches identities with a stranger at a bath house thinking it is his way out of his life of misery but only to find himself filling the shoes of an elite assassin.

A group of friends have created a brand new subculture that is taking over the streets of Glasgow. They've established their very own fight club, but this is no ordinary wrestling event - this is brutal, riotous chaos. Fights don't always stay inside the ring, people are bounced off the side of buses and thrown off balconies in pubs. They now plan the biggest show of their lives. The stakes are high, will it bring them the fame and recognition they need to survive?

A girl, Yūri Kurahashi, after watching a cursed videotape together with her friend in a haunted house, becomes trapped in a conflict between the two murderous ghosts: Sadako Yamamura and Kayako Saeki

Inspired by Chris Marker's iconic 1962 featurette La Jetée; the year is 2073—a not-so-distant dystopian future—and the setting is New San Francisco, the scorched-earth tech-dominant police state where democracy and personal freedom have been well and truly obliterated.

Max films his friends having lecherous fun at his own birthday party; unaware of how it will change his life. Just out of high school, by haphazard, he becomes a big porno producer. His father, a principled police major, chases porno makers, not suspecting that one of them lives in his own apartment. Hoodlums and girls from good families, corrupted policemen, petty dealers find themselves in a luring and scary world of porno.

A young husband and father, perfectly content with his life, falls in love with another woman.

Single mom Flora is at a loss about what to do with her rebellious teenage son, Max. Her efforts to keep him out of trouble lead to a beat-up acoustic guitar, a washed-up LA musician, and harmony for this frayed Dublin family.

Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.

Story unfolds in the scorching heat of the Mexico border, where rival drug dealers Griff and Abbott arrive at a remote drop point for a routine drug deal. But when the exchange goes down, both reveal undercover badges — Griff is FBI, Abbott is DEA — and neither knew they were working the same case.