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a one-reel experiment - part-'flicker film,' part-stop motion - shot on 16mm.
Director
Status
Released
Original Language
EN
Alice
Eva Lucy
Monica
Kate
The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
Maxwell
A documentary filmmaker interviews the now-famous Trevor Slattery from behind bars.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
A documentary chronicling Vogue editor-in-chief Anna Wintour's preparations for the 2007 fall-fashion issue.
Inexperienced waiters (Laurel & Hardy) are hired for a swank dinner party.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.
On an idyllic beach in the Pacific Northwest, curiosity gets the better of a young raccoon whose frustrated parent attempts to keep them both safe.
A look behind the lens of Christopher Nolan's space epic.
Experimental film following a cycle of seasons as well as the stretch of a single day as a man and his dog slowly ascend a mountain.
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.
A computer expert tries to prove his electronic brain can replace a television network's research staff.
