Bellissima (1952)

Alessandro and Arturo have been together for over 15 years and, despite the feeling they still have for each other, their relationship is now at crisis. When Alessandro’s best friend, out of the blue, asks them to take care of her two kids for a few days, something changes in their daily routine and love will drive them to a crazy and unexpected turn in their life.

Clara and Felice struggle to raise their three children in 1970s Rome. The eldest, Andrea, is transgender and yearns for another life where he gets to live as the boy he knows himself to be. Clara instinctively strives to protect her son by escaping into their imaginations to defuse family tensions.

Middle-aged widow Beatrice Hunsdorfer and her daughters Ruth and Matilda are struggling to survive in a society they barely understand. Beatrice dreams of opening an elegant tea room but does not have the wherewithal to achieve her lofty goal. Epileptic Ruth is a rebellious adolescent, while shy but highly intelligent and idealistic Matilda seeks solace in her pets and school projects, including one designed to show how small amounts of radium affect marigolds.

In late 1940s Italy, a mother makes the difficult decision to send her son to the north, where he catches glimpses of a new life away from poverty.

Margherita, a director in the middle of an existential crisis, has to deal with the inevitable and still unacceptable loss of her mother.

Studying to become a teacher in 1950s Northern Italy, Sicilian immigrant Pietro is joined by his big brother Giovanni. Pietro shows considerable promise in his field, prompting illiterate Giovanni to take on even the toughest jobs in order to support his sibling's academic pursuits.

When lapsed Jew and former cardiologist Harry suddenly decides to spend his retirement as a pig farmer in Nazareth, Israel, the move deeply shocks his family and his new neighbours. Back in New York, Harry’s ex-wife Monica is trying to manage the lives of their adult children, Annabelle and David, as well as her own.

During a dinner, a group of friends decide to share whatever message or phone call they will receive during the evening, with unforeseen consequences.

Irene, nicknamed 'Miele', has devote herself to people looking for help, and tries to alleviate their suffering even when they make extreme decisions. One day she has to cope with Grimaldi and his invisible malaise.

A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.