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On August 9, presidential elections were held in Belarus. The results, according to which Alexander Lukashenko won, were not recognized by 14 countries. Protests and mass detentions of protesters have been taking place in the country for more than two months. Documentary director Maxim Shved, in order to capture the mood of people and their political views, installed cameras in the cars of two taxi drivers, Pavel and Anna. They talk to passengers, and inevitably their dialogues come down to politics.
Director
Screenplay
Status
Released
Original Language
RU
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
