Melinda comes to Washington DC to visit her friend Debbie, and to find a job in government, where she hopes to do her part to make it better. She gets a lower echelon administrative position at the Pentagon, and finds things pretty slack. Her boss seems to be more interested in getting into her pants than trying to find lost data on the Russians. Melinda resists his advances and begins working her way up in the Pentagon, finding subtle ways of getting her policies implemented by manipulating the slovenly males that populate the Pentagon, including finding a way to defuse the mounting conflict with the Russians
Director
Writer
Status
Released
Original Language
EN
Nabokov
Sarah Silverman appears before an audience in Los Angeles with several sketches, taped outside the theater, intercut into the stand-up performance. Themes include race, sex, and religion. Her comic persona is a self-centered hipster, brash and clueless about her political incorrectness. A handful of musical numbers punctuate the performance.
