Baby Dandy (1974)

“NARUTO to BORUTO THE LIVE 2019”, a special event for the 20th anniversary of the first publication of “NARUTO” series in Weekly Shonen Jump!! Featuring live performances by artists performing the theme songs of both “NARUTO” and “BORUTO: NARUTO NEXT GENERATIONS”, anime cast members reading original story episodes, and more.

Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.

After parting with Sasuke at the Final Valley, Uzumaki Naruto has been away from the village of Konohagakure to further his training. Two and a half years later, he finally returns to the village and takes his mission in Team Kakashi, then he finds the clue on Orochimaru. Naruto leads the team and heads to the place where Orochimaru is in order to save his friend Sasuke. However, little does he know that "Akatsuki" is seeking after his life to acquire the Nine-Tailed sealed in his body.

In every corner of our vast country there are talented people worthy of recognition and glory. They flock to the capital and take part in popular television shows. But the spotlights go out, and life goes on. And not as they saw it ... Each of the heroes - young and adults, ambitious and modest, lonely and in love - will have to go through many trials. They are waiting for ups and downs, meetings and partings, friendship and betrayal. But in the end they will become one big team, a family that unites different people from the most remote towns of our big country, in the name of music, talent and, of course, love!

A 3-way collaboration between Kamiusagi Rope, Boruto: Naruto Next Generations, and TOHO Cinemas. The purpose is to promote a new TOHO theater opening up in Ueno on November 4, 2017. The collaboration video will also be available to view in TOHO Cinemas in Tokyo, Kanagawa, Chiba, and Saitama from Ocotober 21 - December 1.

No overview available.

Promotional video celebrating 20 years of the Naruto animation project.

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

The star in Mad Mad Mad swords is a common man with numerous weaknesses and a complete worthless student of a prestigious school. To the suprise of all, however, he manages to defeat a string of renowned swordsmen, including the one-armed swordsman and the blind swordsman, by tricks and luck.

No overview available.