User Score
3 votes
Azul no Azul is the result of the encounter between painter Nelson Ferreira and filmmaker Gianmarco Donaggio. Blue is the liminal space where the motion traverses the static, painting meets cinema, and dynamic tension liberates dreams. Blue, in the film, is not a statement nor a colour, but rather the emergence of a feeling. An empty canvas for the viewer to engage within the contraction and expansion of the light flux.
Director
Status
Released
Original Language
EN
After a doctor kills his mistress and himself while researching the mysterious previous owner of his Boston home, his colleague, Dr. Norman Boyle, takes over his studies and moves his family into the Boston mansion. Soon after, Boyle's young son Bob becomes plagued by visions of a young girl, who warns him of the danger within the house.
