Ayşecik Boş Beşik (1965)

Rune is not a fan of traditional classic magic shows where you wear a tuxedo, top hat and take yourself very seriously. Paradoxically, Rune has been heavily inspired by the big Las Vegas shows with big props, but that's where the party stops... It's still Rune Klan. The show is called “Rune Klan Goes Large” and that's exactly what he does - magnifies it all up! Rune toured with “Going Large” in 2007.

DREAM.7 took place on March 8, 2009, at Saitama Super Arena in Saitama, Japan, promoted by Fighting and Entertainment Group’s DREAM. The main event features Shinya Aoki facing David Gardner in a lightweight bout, with Aoki coming off a unanimous decision win over Joachim Hansen at DREAM.5 and Gardner entering after a TKO victory in M-1 Challenge. Key featherweight Grand Prix opening round bouts include Norifumi "Kid" Yamamoto vs. Joe Warren, Masakazu Imanari vs. Wicky Akiyo Nishiura, and Hiroyuki Takaya vs. Jong Won Kim. Other notable fights include Mitsuhiro Ishida vs. Daiki Hata and Tatsuya Kawajiri vs. Ross Ebanez.

Someone is hired as da easter bradah. Someone who needs to give away eggs during easter. A child attempts to take his silver egg to make a wish that will change the world.

A Walter Lantz/Bill Nolan Oswald the Lucky Rabbit cartoon released July 15, 1931.

Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.

In a small town a wealthy aged male named Dharmesh Saxena, known for his worship of Devi Maa Kaali, and magic, is called "Saamri". Dharmesh knows that his end is near, he summons his lawyer and wills his entire estate to his niece, Anju Trivedi. But when Mama Taklifchand, Dharmesh's step-brother, finds this out, he, together with a gorgeous young woman, Maria, a hotel owner, Khanna, professor Chatterjee, and others, kill Dharmesh, throw his body in the river, and when the body is found, inform the police and the public that Dharmesh killed himself. With the case closed, Taklifchand & the others must find ways and means to kill Anju and keep the wealth and estate for themselves. Before they could carry out their plan - one by one they start dying horrible deaths. Looks like Saamri has arisen from the grave to hunt down his killers, and there is no one who can even dare to even think of stopping him.

The story of the couple from the very first meeting to break up told from a view of a man, Jean-Marc. The film shares the same plot with "Françoise ou La vie conjugale", that tells the same story from another perspective.

This documentary explores the history of treasure hunting and the pirates of Caribbean Let the games begin with Treasure Hunting.

Janet has just returned home from college to visit her conservative family at their remote farmhouse, nestled deep in the countryside. What should be a happy reunion is quickly disrupted by the arrival of an unexpected guest: a mystery killer who photographs their unsuspecting victims before murdering them in a variety of brutal ways. As her family and friends are picked off one by one, Janet is forced to fend off the mysterious maniac, all the while uncovering unsettling secrets surrounding her family’s violent and perverse past…

The Third Part of the Third Measure creates an encounter with the militant minimalism of black avant-garde queer composer, pianist and vocalist Julius Eastman. The film focuses on what The Otolith Group describe as ‘an experience of watching in the key of listening’, invoking political feelings of defiance and the collective practice of movement building that participates in the global struggles against neoreactionary authoritarianism. The Third Part of the Third Measure invites viewers to attend to exemplary ecstatic aesthetics of black radicalism that Eastman himself once described as ‘full of honour, integrity and boundless courage’.