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Evoking the physiognomy of a Rembrandt portrait, Axiom of Choice depicts Jonas Mekas and his son Sebastian, their heads rotating in radiant chiaroscuro against a black ground. With Mekas at its center, the references to cinematic machinery abound in this work: from the proto-filmic zoetrope (which used a spinning cylinder to create the illusion of a moving image), to the flickering zoom of Ernie Gehr’s film Serene Velocity, to the enormous gyrating machine at the center of Michael Snow’s La Région Centrale. —Richard Birkett, Karin Schneider & Nicolás Guagnini
Director
Director
Status
Released
Original Language
XX

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

Following a tense encounter with a mysterious stranger with otherworldly powers, a man finds himself banished to a parallel, tyrannical Earth, where he fights to get back to the woman he loves.