Avenging Evil (2019)

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Mia, an expert speaker in witchcraft, takes a trip to see a therapist. On the way she meets a group of young people who will begin to die one by one to bring an evil spirit back from death.

Noted Hollywood stars and directors talk about the history and evolution of the film industry in Los Angeles.

Maggie Cook has spent her teenage life alone in her room, but with the world set to end in 24 hours, her classmate Hazel Norcross finally brings her out of her shell.

The dashing mountaineer Zaur (B. Bestaev) kills a Russian "imperialist" thereby becoming an abrek, member of a roving band of outlaws.

Youssef Soltane, a 45-year-old Tunisian intellectual, is the product of a generation that lived the era of euphoria and great ideologies in the sixties, and their subsequent failure. He was incarcerated and tortured for his political opinions. Furthermore, his relationship with Zineb, a young, beautiful bourgeois, only brings him more trouble. During one long winter night, Youssef wanders in search of an emotional haven, prey to all the questions that flood his memory.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

Liran and Tali, a couple in their thirties who dream of having a child together, are one day told that they will have to undergo fertility treatments. What seems simple at first turns out to be very complex.

When a woman whose job is to professionally date men disappears suddenly, a TV crew who wanted to film a documentary about women like her begin searching for her. Coincidentally, a salary-man who saw the disappeared woman and wants to meet her again is found and joins the crew. Together they follow the clues. She has an amulet, which looks like a small bag, which she always hangs from her neck. It contains a piece of the Berlin wall.