Ausgestopft (2024)

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

After earning numerous musical accolades in the early 2000s, Kelly Chen's confidence in her creativity and style truly shines on her Paisley Galaxy album. Kelly Chen Paisley Galaxy Live in Concert Karaoke DVD features a thrilling karaoke version of Kelly Chen's unforgettable performance at the Hong Kong Coliseum, allowing fans to sing along to her hit tracks and relive the excitement of the live show.

During WW2, a group of assembled allied forces are sent to a secret nuclear bunker occupied by Nazi Germany to 
uncover the operations of what's been occurring there. But when they discover the bunker is infested with rabid, zombie, super-humans in a nuclear testing operation gone wrong, they must destroy every last one in hopes of survival.

Shinkichi, a peasant employed as a cloth-dyer, has a dream: in the midst of the civil war which ravages Japan, he hopes to revive the long-banned custom of the Kyoto Gion Festival, and by doing so, bring together the warring clans and rampaging brigands in peaceful celebration.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

A group of students are preparing works for an art exhibition, they belittle a myth that "Any inanimate object that resembles a living thing, is not just a dead-object"

Edo period, Heizo Hasegawa was feared by thieves and villains as "Heizo the Oni". A young man inspects Heizo's surroundings to find out more about him, visiting Kumehachi, Hikoju, and Omasa. Heizo's true colors as a person start to become apparent.

Convicts on a chain gang sniff formaldehyde fumes to get high. They attempt a prison break and are shot down by the guards. After being buried, they rise from the dead, killing all in their path with shovels and hoes.

Yiddish live theater, a formerly lively theatrical form, is barely sustained by a few aging aficionados and its loyal but aged audience. Laura Adler is a big star of one of these troupes. She is attractive, middle-aged and quite content to spend her days performing obscure theater in her backwater town. One day, however, she learns that she is being considered for a part in a major U.S. film, and, while she is absorbing that news, she has an affair with a young man. Later, when she learns that she has terminal cancer, she decides to spend her remaining days onstage with her theatrical friends and family.

A teacher and his student go on a trip to a magical island where there is urban life and tourist attractions as well as a palace and temples. Moreover, a haunting past still gnaws, spreads, mates and mutates in a loop that cannot be eliminated. It dissolves and mixes with memories affecting the present and possessing a power that can destroy the future. In this vague atmosphere, the place slowly becomes deserted like a nightmare you want to wake from but cannot resist