Aswangcore: Pero Mahal Ko Siya! (2024)

The star in Mad Mad Mad swords is a common man with numerous weaknesses and a complete worthless student of a prestigious school. To the suprise of all, however, he manages to defeat a string of renowned swordsmen, including the one-armed swordsman and the blind swordsman, by tricks and luck.

Joon-yeon and So-hyeon are living together with Joon-yeon's young and pretty mother-in-law for a while after his father-in-law remarries. One day, Joon-yeon is left home alone with his mother-in-law due to So-hyeon and her father-in-law's sudden business trip. The mother-in-law seduces her handsome son-in-law on a hot night. Unable to forget the sex he had with his mother-in-law, Joon-yeon even plans to have a threesome with his wife and his mother-in-law.

A weak before her lady-killer lover, a blond diva breaks up with the arrogant libertine to be with a kind friend. His ego demands appeasement, but the lethal revolver in her hand thirsts for retribution. Who is to blame for her downfall?

“NARUTO to BORUTO THE LIVE 2019”, a special event for the 20th anniversary of the first publication of “NARUTO” series in Weekly Shonen Jump!! Featuring live performances by artists performing the theme songs of both “NARUTO” and “BORUTO: NARUTO NEXT GENERATIONS”, anime cast members reading original story episodes, and more.

Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?

Four guys plot revenge on the businessman who ripped them off.

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

A man babysits his girlfriends kid, and after a short while screams come from her room. Apparently she believes there's a monster under her bed.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

Stéphanie is a jovial and strong single mother. She shares everything with her 13-year-old daughter Léna: their passion for Angèle, their clothes, even the teenager's diary, in which Stéphanie corrects omissions... As they go to an Angèle concert with Kali, Lena's best friend, Stéphanie will realize that her baby has grown up.