Anubhav Singh Bassi: Bas Kar Bassi (2023)

A father rediscovers his fear of confrontation at the worst possible time.

Taking more than six years to complete, The Cut is a feature-length documentary that conclusively proves that female genital mutilation or cutting (FGM) can be found as a native practice on all inhabitable continents. From war zones in the Middle-East to bucolic Middle America, the film visits 14 countries and features key interviews with FGM survivors, activists, cutters, doctors and researchers to uncover an often secret practice shrouded in centuries of traditions, mysticisms and irrationalities.

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Mux spent many years in a coma in a clinic with a constant stream of television. But at least he survived a serious car accident! Now he has woken up, and he has a plan: during his time in hospital, he came up with the idea of a fairer society. From now on, Mux sees it as his task to save the world from neoliberalism and goes to France, the motherland of revolutions, with his long-term nurse Karsten and a self-written manifesto.

Eleven Tibetans prostrate themselves every few steps during a 1,200-mile pilgrimage that lasts for seven months.

An unlucky Birthday boy must fight for his life against a masked psychopath.

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Copying videos illegally on a mass scale is one thing, but making a marketable product out of them is quite another. Just think of the most basic problem: language – your average customer won’t be a polyglot! The answer to that problem all over Central and Eastern Europe was a practice called rychlodabing, or speed dubbing in Czech, which consisted of one sole actor voicing all characters, with the original voices usually still audible beneath. This is how millions of people in the ČSSR encountered many forms of cinema for the first time in the 1980s, and how many foreign words became lodged (in a corrupted fashion) in everyday language. Some expressions (often curse words) were born. That’s popular culture at its liveliest. Video Kings is an oral history monument to the art of rychlodabing and some of its masters, as well as a collective reminiscence from a time of political transformation, and how ordinary people were agents of that change in extraordinary ways.

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.