Angel Number 9 (1974)

When things go wrong at the circus, it's up to Superman to stop the escaped animals.

A documentary portrait of Greek writer Nikos Kazantzakis. Through a fascinating journey of originality, boldness and respect, it reveals the personality and work of the man who defined not only his era, but far beyond it.

A warm-hearted and biting romance about the impossible love between a Danish woman and a Turkish man

“Q85: A Musical Celebration for Quincy Jones,” is a star-studded evening that celebrates the life and legacy of the icon. In celebration of such a legendary figure, some of the biggest stars came to share in on the celebration. Performers such as Stevie Wonder, Gladys Knight, Brian McKnight, John Legend, Gloria Estefan, Fantasia, Charlie Wilson, Jennifer Hudson, Ne-Yo, Sam Smith, Meghan Trainor, Patti Austin, Yolanda Adams, Ledisi, and Cynthia Erivo all hit the stage to pay tribute to Quincy Jones by performing his classic works. Additionally, Oprah Winfrey, Will Smith, Danny Glover, Eddie Murphy, Dave Chappelle, LL Cool J, Rashida Jones, and Ludacris shared their personal stories of how Quincy has impacted them throughout the years. The special was taped in September at the Microsoft Theater at L.A. Live in Los Angeles.

Between fiction and documentary, this film shows a portrait of the persona of a transsexual that goes far beyond simplistic voyeurism. The film offers a respectful image of masculine sexuality, with a character ahead of its time, through the telling of Betty about his childhood, daily life, pleasure, self-esteem and social marginalization.

Father Conroy has a parish which serves the acting and performance community. When one of his parishioners gets too sick to work, his daughter Holly finds a job working for a dance club of questionable character, which is run by Tony Vincent. Vincent never made the big time, and Father Conroy tries to look after Holly.

A short directed by Marcel Wohlfahrt.

Two con artists seduce and rob lonely women. But things go terribly wrong when they accidentally kill one of their victims and try to bury her body in the woods.

A young girl in rural India tills a small plot of land to feed her family and plant seeds of independence and financial freedom in her male dominated community.

Bruce Baillie's Mr. Hayashi might be thought of as a putative East Coast story transformed by a West Coast sensibility. The narrative, slight as it is, mounts a social critique of sorts, involving the difficulty the title character, a Japanese gardener, has finding work that pays adequately. But the beauty of Baillie's black-and-white photography, the misty lusciousness of the landscapes he chooses to photograph, and the powerful silence of Mr. Hayashi's figure within them make the viewer forget all about economics and ethnicity. The shots remind us of Sung scrolls of fields and mountain peaks, where the human figure is dwarfed in the middle distance. Rather than a study of unemployment, the film becomes a study of nested layers of stillness and serenity.