Amityville II: The Possession (1982)

When a new family moves to an old house in Amityville, they are tormented and tortured by an evil spirit living in the home while trapped by the malicious townspeople who want to keep them there.

While treating a policewoman for smoking, hypnotherapist Michael Strother has a telepathic vision of a young girl floating beneath the surface of a stream. The escaped victim of a ritualistic serial killer, the girl has become mute, and Michael is called upon by Scotland Yard to unlock the secrets she holds in order to catch a man who believes he has discovered the key to immortality.

In this made-for-cable television horror thriller, a travel writer visits a historic hotel to write a story about it and inadvertently finds herself on the 13th floor where she witnesses a Satanic rite and tangles with an axe-wielding killer. She escapes, but no one believes her story because the hotel has no 13th floor.

After an unexpected death in the family, a mother and son struggle to find spiritual healing at a beachfront summer home.

A salt storehouse near the sea may be haunted. A penniless ex-con dies a gristly death in a house he can ill afford. The detectives assigned the case are Min, newly reinstated after a suspension, and Lee, a new transfer from forensics. Min has nightmares: a sexual assault that haunts her. She and Lee work well together, but soon two more deaths occur - each mysteriously poisoned, both friends of the ex-con. A fourth friend, a newly married doctor, is a suspect. But what has all this to do with the salt storehouse, a death ten years ago, and a missing girl? Can Min and Lee get to the bottom of it, or is the supernatural beyond a cop's reach?

Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.

After years of being browbeaten and walked on, a man wakes one day wearing an expressionless mask, fitted with a personality that enables him to take revenge.

Joel Gilbert's directing style is on full display here with a look at how Donald Trump dominated the 2016 race, using The Art of the Insult to brand political opponents and bash the media all the way to the White House.

In the quiet waters of the Mississippi, body parts are being discovered. No one knows what is behind it all, until a huge man eating bull shark turns up. This bull shark is different, as it can breath in fresh water, making a deadly encounter between anyone who comes before it. John Sanders must now try and reach the surface, with his ex-wife and whilst being held hostage.

Radio talk show therapist Sonny Blake moves back to her childhood home on seemingly idyllic Rosewood Lane after her alcoholic father dies. But upon arrival in the old neighborhood, Sonny discovers her neighbors are terrified of the local paperboy. She thinks this is ridiculous, until she encounters the boy himself. It turns out that he is a cunning and dangerous sociopath, one who may have gruesomely killed her father - and others.