Ambition (1992)

Unable to move on from a breakup, Gabi, a queer Latina freelance editor, impulsively drops into an old job at an underground lap dance party, where she unexpectedly runs into a friend from her past.

The family is pleasantly surprised and puzzled when Beethoven suddenly becomes obedient. Turns out it's a prince and the pauper scenario, with the real Beethoven now living with a pompous rich family.

Kalimán: Women want to be with him, men want to be him! That old adage fits this character. The superhero was huge in Mexico, the subject of comic books and a radio show that was as popular as the Shadow's was in the States. He's a very philosophical, peace loving man who uses his brains and heart as well as brawn in his capers.

Rex uses the age of dinosaurs as an example to give Forky an understanding of the concept of time.

When the gang loses patience with Snoopy's mischief, he suddenly finds himself back in obedience training. With a vengeance, Snoopy decides it's time to run away to Peppermint Patty's house, but soon realizes life might not be so bad with Charlie Brown after all.

Young art student Hideo paints an unnerving portrait of Tomie, who whispers that she loves him. Inexplicably, he reacts by stabbing her to death with a painting trowel. Two friends, Takumi and Shunichi, arrive on the scene and help him dispose of the body. To cheer him up, the boys take the unwitting murderer to the nearest bar for a party... but a mysterious girl named Tomie shows up, bearing a few odd physical resemblances to the dead girl in the ground.

Almost as soon as Jake and Cassie decide to get married on Christmas Eve, complications arise.

How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

A prehistoric monster called Gigantis emerges alongside another creature named Angurus.