Along Came a Callback (2022)

Naruto Shippūden Ultimate Ninja Storm Generations OVA Madara vs Hashirama is the tenth Naruto OVA. It is distributed as part of Naruto Shippūden: Ultimate Ninja Storm Generations.

A thief faces the Yakuza and the Chinese Mafia

They’re small, clever, and incredibly strong-willed: dachshunds. Their soulful gaze wins hearts and fuels their lasting popularity. Once royal hunting dogs, they now take on unusual jobs—like Strolchi, a miniature dachshund who sniffs out woodworm in historic buildings. The bond between humans and dachshunds goes back to Celtic times. Archaeologists have even found joint burials of people and dachshund-like dogs. Versatile and charming, they thrive as city pets, hunting companions, and even racers—like those at the annual Wiener Race in Kirchheimbolanden. Beloved far beyond Germany, dachshunds have fans in France too, with events like Paris’s “Sausage Walk.”

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Eve Anderson, a radio call-in host helps people with their relationships, but finds her own marriage lacking. A man approaches her in a bar and soon she's tempted into an affair. The lover starts pushing her away when she starts falling in love with him, and Eve begins suspecting he has ulterior motives when he steals her husband's gun.

After a group of boy scouts are mysteriously killed by a wolf-like creature on Cadaverous Island, Walter Romero, whose best friend was among the killed, sets out to find exactly what happened. In order to reach the island, Walter teams up with Johnny Mason, neighborhood stoner, to smoke up Ashley Valinski, neighborhood hottie, and get her to take them out on her father's boat. But soon after arriving on Cadaverous Island, a horde of zombies steals their boat, leaving them stranded, and the three are forced to team up with two cops, the mayor, and a team of botanists to either kill the monsters... or be killed themselves..... DUN-DUN-DUN!!!

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

The widowed millionaire Wolff visits an exclusive bar with friends in a secluded area. He leaves the establishment early because it is not to his taste. As a result, his car breaks down with engine damage. Rita, of all people, a dancer at the strip club, turns up to save the day. Despite their mutual reservations, a friendship develops between them. However, his family is not happy about it.

The film — a mix of music, colors, abstract scenes and little dialogue — is based loosely on the life and death of Mexican-American actress Lupe Velez. The music, far more than mere background, borders on serving as the film’s narrative and ranges from classical to contemporary pop music.

A famous "feng shui" master (fortune teller) gets a wake-up call when a distraught ex-customer threatens to expose him as a fraud.