User Score
2 votes
“Every Lie Has Limits”
A young woman lives in a big weird and empty city. There is no other humans, no noise from the streets and no sounds of nature. The only one who shares her loneliness is her little daughter. They do everything together, draw, play and read fairy tales every night. But their perfect world drastically changes when they notice someone else’s presence.
Director
Screenplay
Status
Released
Original Language
KK
Roughly chronological, from 3/96 to 11/96, with a coda in spring of 1997: inside compounds of Aum Shinrikyo, a Buddhist sect led by Shoko Asahara. (Members confessed to a murderous sarin attack in the Tokyo subway in 1995.) We see what they eat, where they sleep, and how they respond to media scrutiny, on-going trials, the shrinking of their fortunes, and the criticism of society. Central focus is placed on Hiroshi Araki, a young man who finds himself elevated to chief spokesman for Aum after its leaders are arrested. Araki faces extreme hostility from the Japanese public, who find it hard to believe that most followers of the cult had no idea of the attacks and even harder to understand why these followers remain devoted to the religion, if not the violence.
