Alma Portuguesa (2020)

A down on his luck young man makes several attempts at committing suicide but fails them too. He then finds himself becoming more confident through a series of petty adventures, to such an extent that this becomes his undoing.

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.

It’s Saturday night in Istanbul and the storm suppresses the sound of music around the city. Özge and Tarık, who have had too much to drink, decide to end the night and jump in a cab. However, the journey back home doesn’t go as they expect.

A meditation on early Swedish anime fandom and coming of age at the turn of the millennium. Memories from a first love in bleeding video colors, the last analogue revolution before the world was fully digitized.

"What is the taste of love?" Could it be sweet, sour, bitter or even salty? A girl embarks on an aromatic journey of love, stimulating her taste buds to the point of climax. With all senses, she explores the various forms love can take on.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

When his grandmother takes ill, foolish brute Recep tries to satisfy her wishes by getting a job and attempting to find a suitable wife.

The time has come for Sonic Underground Warriors to take a stand against tyranny. Pick up your sword and choose a side!

This spectacular opera film was taped in 1967 and is based on the 1966 Salzburg Festival production directed by Herbert von Karajan himself, who also conducts the fabulous Vienna Philharmonic Orchestra. The production features the three greatest exponents of their respective roles at the time: Grace Bumbry’s magnificently seductive-toned Carmen, Mirella Freni’s ineffably lovely, touching Micaëla and Jon Vickers’s thrillingly manic-depressive Don José. On its release the film was hailed by Die Presse, (Vienna) as a “unique artistic event”, while Le Monde felt that Karajan’s production brought “a whole new dimension” to the opera, “combined with a magisterial interpretation”. A classical and utterly dramatic approach to probably the world's most beloved opera – Karajan’s Carmen is as much a delicacy for opera fans as it is a perfect starter for newcomers.