Allan Quatermain and the Spear of Destiny (2023)

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

No overview available.

Follows a youngster Kalai and his aspirations of becoming a 'Star' in the Tamil Film Industry. Born in a lower-middle-class family, will Kalai overcome all his struggles to emerge as a Star?

Young man has his dreams come true when the sexy new maid seduces him. But she also has a secret that leads to trouble.

Naai Sekar, who decides to make money by kidnapping dogs, learns about his pet dog which was taken away from their family during his childhood. Can he rescue his dog, which is considered as a lucky charm?

No overview available.

A collection of cartoons, each of which is a uniquely decorated folk tale.

The two teams become even more strained when the Metal Maniacs get a new leader. Meanwhile, the Acceleracers and the Racing Drones face challenges while competing in the Racing Realms with a new, mysterious opponent.

To prevent her family from canceling the "Chamberlain Family Christmas Olympics," Jessie lies and says she's inviting a date to the long-standing holiday tradition. She meets Bryan on a dating app, and he agrees to spend the holiday with her and her family. As Jessie and Bryan engage in eccentric activities like the search for the Christmas tree star, gift wrapping contest and snowball fight, they start to develop real feelings for each other. Soon her family begins to catch on to their secret and Bryan suspects she may be hiding the real reason for her unusual Christmas date request. As the celebrations continue, Jessie must work to keep all her stories straight and save her date with Bryan.

The Red Mountain Tribe hangs out in my backyard. "Lipton's lovely home movie PEOPLE, in its affection for valuable inconsequential gestures, indicates in the course of its three minutes why there has to be a continuing alternative to the commercial cinema." – Roger Greenspun, The New York Times