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An old lady, Shobharani Basu, is found dead in her apartment. A self-appointed private investigator calls it a murder. What could be the cause of her death?
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Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.