After the Storm (2016)

In a small Tokyo apartment, twelve-year-old Akira must care for his younger siblings after their mother leaves them and shows no sign of returning.

Daikichi learns that his recently deceased grandfather has an illegitimate daughter with an unknown mother. The girl's name is Rin and she is just 6 years old. Everybody in Daikichi's family looks at the girl as an embarrassment and wants no part of her. Daikichi, annoyed by his family's attitude, decides to raise Rin by himself. Even though Daikichi himself has no experience raising a child and is still single.

In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.

Hyakkaou Private Academy. An institution for the privileged with a very peculiar curriculum. You see, when you're the sons and daughters of the wealthiest of the wealthy, it's not athletic prowess or book smarts that keep you ahead. It's reading your opponent, the art of the deal. What better way to hone those skills than with a rigorous curriculum of gambling? At Hyakkaou Private Academy, the winners live like kings, and the losers are put through the wringer. But when Yumeko Jabami enrols, she's gonna teach these kids what a high roller really looks like!

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.

A spell of time in the life of a family in rural Tochigi prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.

After being diagnosed with a terminal illness, Futaba resolves to spend her remaining time reuniting her broken family, reopening the long-closed bathhouse, and helping her shy daughter Azumi learn to stand on her own.

Narumi is on bad terms with her husband, Shinji, when, one day, Shinji goes missing. He comes back a couple of days later, but he seems like a totally different person, and he is now gentle and tender. He goes for a walk every day. Meanwhile, journalist Sakurai covers the story of a family that was brutally murdered, when an unexplained phenomenon takes place.

Shuhei Hirayama is a widower with a 24-year-old daughter. Gradually, he comes to realize that she should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

After the death of their estranged father, 3 adult sisters invite their teenaged half-sister to live with them.