User Score
3 votes
In his own special field as a designer of typefaces, Adrian Frutiger has left his mark on the second half of the 20th century. His professional peers speak of Frutiger as a living legend. To the general public however he remains unknown, even though every day they may come face to face with his work in one form or another, as lettering for texts, logos and corporate images for the post office, museums and institutions of all kinds, airports and metropolitan railways. Frutiger has never sought fame, only to design typefaces that are efficient and easy on the eye. In designing typefaces he does not attempt to be trendy. Letters are a tool, a vehicle for the transportation of thought.
Director
Status
Released
Original Language
EN

In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.

More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend. Teaming up with an eccentric amateur documentary filmmaker, Ellie hits the road in search of answers.