
User Score
1 votes
Considering the conditions of the period in which it was filmed, it is a fairly realistic film. The location is not specified, but I think it is somewhere around Adana. It is a rice field where female agricultural workers are working. A ruthless landlord and a son who is just as evil as his father. One of the female workers, who stands out for her beauty (Melek Görgün), catches the attention of both the landlord and his son. She flees due to the pressure she faces, and her path crosses with that of a young man (Salih Güney) who has suffered at the hands of the landlord, had his land taken away, and lost his sister. They fall in love, and the events lead to a tragic ending. In keeping with classic Yeşilçam screenplays, you expect Salih Güney to avenge his sister's death and reunite with Melek Görgün (or for the woman to die).
Director
Writer
Status
Released
Original Language
TR

A stagnant and gloomy village in the 1980s. Reyhan, Nurhan, and Havva, three sisters were sent to town as 'besleme' (foster child and maid). Since they fail their foster parents for different reasons, they are sent back to their father's house in their poor village. Deprived of their dreams of a better life, they try to hold on to each other.

A young art teacher hopes to be transferred to Istanbul after completing his mandatory duty in a remote village school in Anatolia. After accusations of inappropriate contact with a student surface, his hopes of escape fade and he descends further into an existential crisis.