Abraço (2019)

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

This documentary about the life and work of filmmaker Jean Painlevé was originally presented in eight parts on French television. It was edited to remove duplicated material from its original length of 240 minutes.

A gang of thieves calling themselves the Santa Claus Gang are wreaking havoc, and the police can't keep up. Police Captain Gilbert is distracted by a Chinese reporter writing a story on his squad, and taxi driver Daniel is in the midst of a relationship crisis. After a string of mistakes in which the thieves outsmart the police time and time again, Daniel and his super-taxi pitch in.

At the age of 22, Sofia discovers that her father and grandfather belong to the “Order of Idol Makers”. This Order planned and executed the deaths of Socrates, John F. Kennedy, Elvis, Marylin Monroe, and many others in order to turn them into Idols. They believe that idols are necessary to inspire young people and to promote noble values in a society that is increasingly full of frivolous / vain / superficial ideas and people. Their death is the only way to immortalize the noblest among them. However, until now, only men who are sons of members of the Order were allowed to join. Now, for the first time, they’ve decided to give a woman the chance...

The defeated remnants of vile Ukrainian nationalists, headed by the leader of the Ukrainian liberation movement, Symon Petliura, cannot accept their historical fate and are plotting an insurrection against the Soviet regime in Ukraine. There is nothing Petliura and his cohorts would not do to win back control over Ukraine, including selling it to the highest bidder, in this case, the Polish dictator Jozef Pilsudski. A group of plotters are coordinating an insurrection in Kyiv with an attack from Poland headed by Petliura’s general Yurko Tiutiunnyk. Predictably, the invincible Red Army defeats the nationalist plotters and proves that the Soviet borders are impregnable.

Hugo Pratt's famous comics adventurer, Corto Maltese while sojourning in Adana, Turkey, discovers a map to the treasure of Cyrus, an ancient king of Persia. To assist him in his quest, he enlists his old friend/nemesis the unbelievable Raspoutine whom he first has to help escape from the prison of Samarkand (aka "La maison dorée de Samarkand", the golden house of Samarkand). On the long and tortured way to the riches, he encounters all kind of interesting characters, soldiers of fortune, lost British actors, and even his doppelgänger.

Autant en emporte le vent is a French musical adaptation of the 1936 Margaret Mitchell novel Gone with the Wind produced by Dove Attia and Albert Cohen in 2003, with music and lyrics by Gérard Presgurvic and staging and choreography by Kamel Ouali.

In this second part, the devil (Alfonso Zayas) returns to earth in search of a cure for his loss of masculinity; while Gerardo (Jorge Rivero), the rich and handsome character, continues to seduce his beloved.

Happiness and suffering alternate when a Man and a Woman meet. And the voice of Reason does not work here. Because Love is unbearable, but without it there is no Life at all.