Aaru Mooru Ombhatthu (1970)

Wile E. Coyote's plans for catching the Road Runner involve a giant elastic spring, a gun and trampoline, TNT sticks in a barrel, and tornado seeds.

All Ted wants to do is pay for his shopping, but the shoddy self-service and eerily elusive shop workers have other, far more sinister, ideas. A twisted horror-comedy about just how dark a customer service nightmare can get.

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A unique and captivating documentary following the friendship of acclaimed artist Alick Tipoti and Prince Albert II of Monaco. Even though they live worlds apart, the two have united to help protect the world's oceans and initiate change.

Rocky, a born-and-bred London teenager, begins to question the strict routine set by her father – as well as deeper feelings about her own identity – after meeting a free-spirited girl in a local launderette.

A warm-hearted and biting romance about the impossible love between a Danish woman and a Turkish man

Ignacio has one obsession: creating a play about his uncle Jaime Guzmán, an ideologist of the 80's constitution and collaborator of the Pinochet military-civic dictatorship. But things get out of control...

At 104 pounds dripping wet, baby-faced sophomore Michael Peck (age 15) is not exactly the coolest guy at American High. Peck’s teachers make him feel like an idiot, his classmates make him feel like a geek and his home life is just as bad, with parents who schedule family time in their planners and require him to sign contracts with them about his extra-curricular activities.

In 2004 Wim Vandekeybus shot a 52-minute feature based on his successful performance Blush. Carried by the music of David Eugene Edwards and Woven Hand and with texts by the Flemish author Peter Verhelst, Blush is a dazzling voyage swinging between the heavenly landscapes of Corsica and the slummiest depths of Brussels. It is an exploration of the savage subconscious, of mythical forests, of conflicting instincts, of imagination, where the body has reasons unknown to the mind. In dance sequences of attraction, confrontation and repulsion the performers take on animal metamorphoses…

Some things can be seen more clearly at night.. . A film poem about a continent at night, a culture on which the sun’s going down, though it’s hyper alert at the same time, an “Abendland” that, often somewhat self-obsessively, sees itself as the crown of human civilization, while its service economy is undergoing rapid growth in a thoroughly pragmatic way. Nikolaus Geyrhalter takes a look at a paradise with a quite diverse understanding of protection. Night work juxtaposed with oblivious evening digression, birth and death, questions that await answers in the semi-darkness, a Babel of languages, the routine of the daily news, and political negotiation: All this has been captured in images with a wealth of details that make us look at things in a new way. The longer you consider a word, the more distant is its return gaze: ABENDLAND.