A Woman Is a Woman (1961)

The night before she is to move in with her boyfriend, a young Parisian woman picks up a male hitchhiker, leading to a highly charged and impossibly erotic detour.

Two segments. The first one arranges six stories from Cesare Pavese’s «Dialoghi con Leucò», taken from classical mythology. The second segment is taken from Pavese’s novel «La luna e i falò»: after World War II the emigrant «The Bastard» comes back to his village in the Langhe (northern Italy) to find out that everyone he knew has died, and that the war has deeply changed relationships between people.

Brief, fragmented memories of Rohmer spoken by Godard, while the screen shows various titles of articles Rohmer wrote for Cahiers du Cinema.

Yves Montand, playing himself, returns to his hometown of Marseilles to appear in an autobiographical musical. Once there, he searches for the barmaid he once loved and also encounters young hopeful Marion, giving her the chance of a lifetime

In this story set at a seaside fishing village and inspired by a Charles Kingsley poem, a young couple's happy life is turned about by an accident. The husband, although saved from drowning, loses his memory. A child is on the way, and soon a daughter is born to his wife. We watch the passage of time, as his daughter matures and his wife ages. The daughter becomes a lovely young woman, herself ready for marriage. One day on the beach, the familiarity of the sea and the surroundings triggers a return of her father's memory, and we are reminded that although people age and change, the sea and the ways of the fisherfolk remain eternal.

In this comedy of an Englishman stranded in a sea of barbaric Americans, Marmaduke Ruggles - a gentleman's gentleman and butler to an Earl - is lost in a poker game to an uncouth American cattle baron. Ruggles' life is turned upside down as he's taken to the USA, is gradually assimilated into American life, accidentally becomes a local celebrity, and falls in love along the way.

A subtitle warns, "beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the Seine. He dons sunglasses and waves as she runs down a stairway to the river's edge, then watches in horror as she's knocked flat and loaded into the back of a hearse. In vain, he gives chase. Disconsolate, he buys a large funeral wreath and a handkerchief from sympathetic vendors. He removes the glasses to wipe his eyes and realizes they are the cause of all his woe. He replays the farewell without the glasses.

Serkan, who spends his days watching Turkish movies at home, starts working in a nursing home at the urging of his older brother.

This complex allegorical tale tells the story of man’s quest for spiritual meaning. When God enters the body of 1980s filmmaker Simon Donnadieu, his wife Rachel realizes that something has gone awry, but chooses to remain faithful to her erratically-behaving husband.

The film follows the actions of a corrupt police captain, the title-character Ángel Lugo. Lugo is responsible for the wrongful imprisonment of Mariano Farías and the murder of his pregnant wife. After 15 years in a federal prison, Farías is still determined to prove his innocence.