A Última Abolição (2018)

Making of documentary surrounding the production of ‘Anora’

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

A Latina working in Los Angeles as a messenger is randomly discovered and fashioned into a pop music star.

Ascendancy is a 1983 British film. It tells the story of a woman who is a member of the British landowning 'Ascendancy' in Ireland during World War I. Gradually, she learns about the Irish independence movement, and becomes involved with it.

A turbulent day in a life, painted by air.

Jacqueline and Jacques, newlyweds, are in frequent discussions. The cause is Jacqueline's flirtatious nature, which she has not been able to shake off despite her marriage. One of her tennis partners, Pierre, declares his love for her, but Jacqueline advises him to marry Simone instead. Meanwhile, the husband is approached by an unsympathetic character who suggests that Jacqueline is his mistress.

A young woman on the run from a murderous rogue government agent hooks up with a pony-tailed taxi driver who reluctantly agrees to help her.

The story of people who really wanted to be happy | Like walking slow, like singing joyfully, it's living. Legendary rock singer Tae-soo (played by Kim Sang-joong), who dominated the music scene in his childhood, visits his son Gun-sung's house in 15 years. Tae-soo, whose philosophy of life is to live so roughly that even his son's name is Gun-sung, is far from the traditional image of a responsible and sacrificial father. Meanwhile, son Gun-sung is a man of good living who prepares music and study step by step as planned so as not to be like his father, and I don't like Tae-soo, a father from one to ten. The relationship between the two, which is a mixture of affection and affection that has been building up for 15 years in a quarrel, is hardly narrowed.

A powerful Argentine political film stands on the figure of an outsider intellectual, Sebreli, but manages to transcend it, he becomes a touchstone to go through Argentina and its dilemmas, through this country that is proud of almost everything it should be ashamed of. From national icons like Gardel, Evita, Che, and Maradona the film dialogs with recent Argentine history and it does so with extraordinary energy, supported by a rarely seen use of all kinds of archive material in an almost Dionysian state of sampleadelia. The film arrives to a surprising reflection on nationalism, demagogic governments and delusions of unanimity; problems that are common to emerging societies that cannot find their ways to a freer and more egalitarian society.

Leslie Uggams hosts this take on A Christmas Carol, where she and fellow guest stars, Anne Murray, Imogene Coca, and Dick Smothers try to get Oscar to stop being such a Grouch on Christmas.