A Cent of Luck (2019)

An archival investigation into the imperial image-making of the RAF ‘Z Unit’, which determined the destruction of human, animal and cultural life across Somaliland, as well as Africa and Asia.

The film delicately follows 25-year-old Anna, whose mother has died suddenly. She wants to send her Orthodox mother on her last journey according to customs, but she runs into bureaucratic rules that do not allow Anna to dress her departed mother herself. This conflict brings her together with Maria, a 45-year-old funeral home worker, who in this story represents the hidden fears of death and grief on a deep emotional level.

Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.

The adventures of two girls from Zeeland in Zandvoort.

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

A documentary mostly edited together from unused footage from The Endless Summer and The Endless Summer II, this documentary gives further insight into the making and success of the original classic surf documentary. It is written, produced and directed by Dana Brown, son of the director of the first two films, Bruce Brown (who executive produced this film). This film likely will appeal only to hardcore fans of the Endless Summer films, but it does feature more of the gorgeous cinematography for which the earlier films are famous. Written by Annie Bulloch

In the collective imagination, mountaineering is seen as an elitist and dangerous activity. When the mainstream press talks about mountaineering, it is generally related to a drama or an exploitation. The mountaineers are then placed in two categories. On the one hand, reckless supermen, engaged in a death struggle with the mountains.

Zanskar is a remote kingdom in the northwest Indian Himalaya, where local people are snow-bound for six months of the year. About 10,000 Zanskaris live in the isolated valley. In winter, mountain passes are blocked, the summer Jeep road closes and buses stop. Two decades ago, three friends founded a ski school - to enable winter travel in the valley, improve quality of life, and to encourage young people to stay in Zanskar by helping establish a culture of mountain sports. The film tells the story of this friendship, the ski school and the development of skiing in the area. Along the way a bigger question is raised. Most recently, the federal government announced a major road building project that will provide year round access to Zanskar. How can Zanskar's wilderness be preserved? It is only a matter of time before the winter road is completed, and the "Big India" rushes in.

The latest Gasperlmaier case has almost ended in Ausseerland. On the day of the Pfeiffer's Day, of all days, a young musician is found dead on the Weißenbachalm pasture, and Gasperlmaier must once again embark on a criminal hunt. This time, too, the likeable police officer, Franz Gasperlmaier, can't rest. Not only is his beloved wife, Christine, traveling the world, leaving him alone with the household, but a new murder case is keeping Gasperlmaier on his toes. At the annual Pfeiffer's Day, where he is about to enjoy a fine schnapps with station commander Friedrich Kahlß, a scream shatters the peaceful atmosphere.