
User Score
1 votes
This film is a combination of genres (docu-fiction, comedy-musical, mockumentary and drama-ponele) endowed with grace. It is a culebronizado backstage of the rehearsals of the musical Ella, homage to Rafaella Carrá, where Christopher Guest entrenches a group of dancers and choreographers, following them closely in their problems of love and of makeup. It shows situations of contagious pop vitality, and music and dance set the stage for a shocking ending, which kindly suggests rethinking various representation problems: Schipani and Montiel seem to have known in advance that it is dangerous to always tell the truth
Director
Director
Status
Released
Original Language
ES

A powerful biotech company has breakthrough technology allowing them to clone history’s most influential people with just a few fragments of DNA. Behind this company is a cabal of Satanists that steals the shroud of Christ, putting them in possession of Jesus’ DNA. The clone will serve as the ultimate offering to the devil. The Archangel Michael comes to earth and will stop at nothing to end the devil’s conspiracy.

Arturo, the successful owner of an art gallery, and Renzo, a talented but decadent painter, are old friends who cannot stop bickering. One day, Arturo comes up with a solution to all their problems, but the plan they concoct turns out to be crazier and riskier than they originally expected.