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Even by the late 1960s, to my knowledge, there had been no “Abstract Expressionist” non-referential, extended painting applied directly to motion picture film. All previous examples of “direct animation” were more or less figurative, although some by Len Lye involved stenciling and dancing geometric shapes, all previous examples adhered mostly to some kind of a figure based continuity between individual frames.
Director
Status
Released
Original Language
EN
A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.