18½ (2024)

A dropout comes to the aid of a chubby and suicidal high-school kid by recruiting him as the drummer for his upstart punk-rock band.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

Like all sixteen-year-olds, Leo prefers the company of friends, motorbike rides and music to school. None of the teachers seem to be able to arouse his interest until the arrival in his class of a young history and philosophy substitute who, with his modern methods, helps him see the world with different eyes. In love with Beatrice, the ethereal girl of his dreams, Leo divides the world by colours. Beatrice is the red of love but he is forced to confront his own beliefs and fears when he discovers that the girl is suffering from leukemia, a disease that he links to white, a symbol of emptiness and loss.

Altiero Molino is a twenty-six-year-old digital entrepreneur who’s returning to Ventotene with his model husband in order to gather his old friends together around his ailing father so as to treat him to one last holiday in this place which is so special to him. He didn’t expect to find the island all abuzz with Sabry Mazzalupi’s marriage to her partner Cesare. This young woman, who’s the awkward daughter of Roman shopkeeper Ruggero, has become an online celebrity and her wedding is a global event attracting the media as well as mysterious emissaries from the new political regime. These two tribes of vacationers, two seemingly irreconcilable sides of Italy, are destined to come together during the Ferragosto holiday for an ultimate showdown.

In the emotionally charged, wild and humorous world of sixteen year old James Whitman, his struggle to overcome anxiety and depression involve seeking advice from Dr. Bird - a giant imaginary pigeon therapist.

Irene lives in Rome. When her mother ask to, she go back to Rimini, her hometown, to take care of her autistic brother, Omar. She soon discover that Omar knows very well what to expect from the future, but in order to achieve his dreams, he need to be independent, which is why Irene begins a tender crash course to teach him adult life.

When a group of old college friends reunite over a long weekend after one of them attempts suicide, old crushes and resentments shine light on their life decisions, and ultimately push friendships and relationships to the brink.

Giacomo is a 40-year-old man who works for a big company in Milan. To avoid working on weekends, he lies about having a girlfriend whose character he creates based upon a girl he sees every morning.

Primary school teacher Mr. Mombelli, nevertheless satisfied with his life, is driven by his wife to resign and starting a new activity. He invest all his goodwill setting up a footwear little factory.

Rome, summer 1943. Four children play war while the bombs of real war explode around them. Italo is the rich son of the Federal, Cosimo has his father in confinement and an atavistic hunger, Vanda is an orphan and a believer, Riccardo comes from a wealthy Jewish family. They are different but they don't know it and between them "the greatest friendship in the world" is born, impervious to the divisions of history that bloodies Europe. But on October 16 the Jewish boy is taken away by the Germans together with over a thousand people from the Ghetto. Thanks to Italo's father Federale, the three friends believe they know where he is and, to honor the "spit pact", decide to leave in secret to convince the Germans to free their friend. Yet another imaginative mission becomes reality, the three children travel alone in an Italy exhausted by war, among disbanded soldiers, deserters, occupying German troops, exhausted and hungry populations.