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A cinematographer is a person who is most often not particularly visible, but what he is doing is always visible. The Director of Photography is a rare opportunity to talk to filmmakers about filmmakers. This is not a conversation about their life, but about the profession that is the meaning of their life, an attempt, through their personal statements, to form an understanding of what is the modern concept of camera art, what is the literacy of the craft and what is the real content of camera work in practical concepts and categories. This is a mention of several main names in the profession of cinematographer, who today are associated with the most important events in national and world cinema.
Director
Writer
Status
Released
Original Language
RU

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

self
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.