Города Мира: Нью Йорк (2010)

The film is a continuous time-lapse with multiple exposures of the sunset from the same angle and position on 16mm film. The shoot was done in a span of 5 years. The title 13 is because the time-lapse has a 13-second interval per frame.

A romantic comedy concerning the tribulations of a love quadrangle during a night of magic & madness.

Russian general have to find and bring back to St. Petersburg girl claiming her right to the throne...

Married at 17 and widowed at 20, Dr. Balasubrahmaniam lives with his teenage son. Son does not want to follow his father into medicine and joins an engineering college. He is killed accidentally by some seniors during ragging. The grief-stricken father tries to avenge his son's death.

John and his class visit the Tower of London, where he loses his pet mouse. He falls asleep during a lesson on electricity, but with some help, he learns about it, invades the Tower, and saves his pet.

While an opulent Dashain arrives at Hakimsaab's house, Bhaire, his neighbor and employee, struggles to afford even the basic necessities for his family. This film shows the divergence within the same festival, serving as a callous reminder of the stark differences between socio-economic classes in Nepal.

The Talking Parcel is based on a 1974 book by Gerald Durrell in which a young girl is transported to the fantasy land of Mythologia to save it from cockatrices. She is aided by a talking parrot and encounter many other magical creatures, including a mooncalf.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

The filmmaker goes to discover Meir the village where her great-grandparents were born, the place her grandparents left, but continued to love. When she goes, she discovers a village that people are trying to leave.

“For one thing, this was my first film using negative stock after a lifetime of shooting color reversal. This was a time when I had to open up to a greater freshness of purpose. I had to go forward into the unknown without a plan” (Jerome Hiler).